Movie Adaptation: Dark Places

I haven’t done a movie adaptation in awhile, but I got to see a free pre-screening of Dark Places Tuesday night, so I felt I owed a review.

First things first, before I even get into the meat of it, I want to give a warning to those who need it, because there wasn’t one on-screen:  IF STROBE LIGHTS BOTHER YOU, DO NOT SEE THIS MOVIE. Or at least proceed with caution. There is a huge scene about a quarter of the way through, when she goes to The Kill Club with EXTREME strobing, so just be aware of it. Also, a lot of the flashbacks aren’t strobe, but they are a really funky black, white, sepiaish coloring. Almost negative filmy type effect, but whatever it was, it really hurt my eyes. I don’t have seizures but we were pretty close to the screen and I definitely left with a headache.

Ok, on with the review:

From what I understand, Dark Places was actually a French production, made before Gone Girl. But, even with the superb casting, they weren’t completely sure how it would go over in the US, so they held off on the release. Then, when Gone Girl became a smash hit, of COURSE they had to bring it out. I’ve seen nary a trailer for it though, which is sad because while I don’t think it would make near as big of a smash, I think a lot of people would go see this if they knew about it.

It’s a much different film than Gone Girl is, however. Instead of being so high impact drama, it’s more slow and steady. You get the present day plot mixed with the flash backs. Sort of a look this way while I show you something else, make you think one thing and actually the reality is something else entirely. Gillian Flynn is fantastic at this. Her sociopaths never look like sociopaths until the very end.

As I said before, the casting here, at least for the main characters, is superb. Charlize Theron was excellent…but, is she ever bad in anything? How can she be so goddamn gorgeous in greasy short hair and the same dirty shirt all movie long? Oh. Right. She’s Charlize freaking Theron. I did alter my vision of what adult Libby’s life looked like in my previous book review. I think the movie nailed what Flynn was going for–and not at all what I had imagined. It fits much more with who she would have been.

Christina Hendricks as Patty Day? I mean…yes. My friend, as we were walking out, made a comment similar to what I said about Theron. “I didn’t know they could make Christina Hendricks look so good dirty!”

But, in the end, it’s not about the beauty, it’s about the acting, and these two both got their characters down perfectly. We’ve seen them in extremely sophisticated roles, but here they are both in very raw, emotional ones, and the performances were really powerful.

At first, I wasn’t sure Nicholas Hoult was the right choice for Lyle. He’s very young next to Theron, and I balked a bit because in the book, she’s only 30. But, they expanded the time gap a bit in the movie, so it made more sense. Also, for once in, well, EVER, the writers did not make this movie about romance at all. There were plenty of openings for them to do that, and yet they refrained, and I was grateful they didn’t change that part of the story, especially in one where there was so much PTSD, pain, and recovery happening.

This movie is going to be released tomorrow, August 7. I’m unsure how broad of a release it will get, but if it’s showing near you, go see it, especially if you like brain twisters and thrillers. This one isn’t so much on the racing plot thriller type, but more of a plot twist type. Definitely worth a showing.

 

Disclaimer:  My friend got free tickets to see this screening at Angelika Theater Dallas from her work and was kind enough to share one with me.

Dark Places

Tonight, I have tickets with friends for a screening of Dark Places. Gillian Flynn’s second movie isn’t getting near as much fanfare as Gone Girl did, but anything with Charlize Theron has got to be good, right?

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I read Dark Places a long time ago, but I could not remember anything about it, so I made sure to pick it back up before tonight’s show. Libby Day is 30, broke, and unemployed. Up until now, she’s lived off the charity of crime obsessed philanthropists who years ago threw money at the little girl left broken-hearted and lost. Her family was murdered by her Satanist brother when she was young, and she was forced to testify against him as the only witness. Now, those charitable hearts have moved on in favor of other crimes and she has to find money quick.

Welcome Kill Club–a creepy organization of people who geek out over conspiracy theories. One favorite conspiracy circles around the Day family and the night Libby’s family was killed, and they are willing to pay her to track down information for her.

Dark Places is a very weird book. I wanted to say that I find Libby a very awkward, uncomfortable character, unbelievable in that she should be much more traumatized by what happened instead of just skimming money and using it for nice cars and clothes until it runs out. But, we all react in our own ways. The more I think about Libby and her, for lack of a better word, laziness to do anything with her life, I realize that just about everyone her world is that way–except maybe Patty. The town was full of excuses and poverty and drugs, the kind of small town where no one ever gets out.

My romantic reader brain wants her to be heroic–full of fight and power. And she does too–she even mentions it at one point to herself, when she thinks about how all she did was hide in the closet and that’s why she didn’t see the attacker. But, that’s not who Libby is. It was much easier for her to hide after the murders, to turn away from Ben and Diane and Runner, dye her hair blonde, and use all the donations she could.

The book itself is bit of a quiet start, but there is a crescendo of action at the end. In typical Flynn fashion, she keeps you guessing and fascinated right up until the end, when all at once you will connect every single dot she left for you with one big EUREKA moment.

I’m really looking forward to seeing the screening tonight!

 

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