Empire of Sin

As a sophomore in college, I visited New Orleans for a week during Spring Break. Our church group went the year after Katrina to help with flood relief–which at that point meant tearing down moldy drywall, pulling up carpets…really breaking the sodden houses down to their studs so the families could rebuild. As a pretty sheltered white girl from small-town Indiana, it was a pretty eye-opening experience. Not only had I really never been to a city that big, I hadn’t ever seen devastation like that either.

But, day after day that week, we ripped apart people’s homes…and when we came out, they would hug us with gratitude, and there would be prayer circles and Creole (or Cajun, I apologize, my 19 year old self did not know the difference at the time) blessings. It was all so beautiful and unexpected. Everyone was so resilient and strong and lovely and I just fell in love with the city.

And then I got to the French Quarter, and found the food and the music and well…the rest is just history.

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Since then I’ve added quite a bit of New Orleans-themed books to my TBR, and every once in awhile one will pop up. Recently, Blogging for Books had Empire of Sin as one of their choices, and I grabbed it.

Gary Kirst’s latest book is a history of New Orleans at the turn of the 20th century, right before Prohibition, when sex, jazz and alcohol fueled the town. There’s so much dark, fascinating stuff here, I don’t know where to start!

I guess, first off, let me be frank. This is a book about the south in the late 1800s. That means this is a book filled with racism. There’s just no way around it. To say I struggled with parts of it is to put it mildly. It’s not even just black racism either–though that is a huge part of it.

One of the major themes in Krist’s book is the civil war between the three peoples of New Orleans:  the white politicians/police, the blacks, and the Italians. There were constant battles between the groups, and often the blacks seemed to take a lot of the blame–with one of the riots ending with any black man out on the street being shot by a group of vigilantes.

Another theme we see repeated is the battle for power in Storyville–the prostitution district. I got a little confused over some of the politics in this area–who was on what side–but the fight for respectability was an interesting thing to read about, when I am so used to reading about prostitution as a negative profession.

Lastly, there was the music. And that was my favorite part of the book. I’ve been a fan of the blues for years (probably since I went to New Orleans, to be honest), so to hear about some of the old greats and how they got their start was fascinating. We get to hear about Little Louis Armstrong and Sidney Bechet, and all the struggles they went through to just play their hearts out.

New Orleans is one of those cities that you just have to touch. And when you do, it gets inside of you and never lets go. I can’t wait to go back someday, as an adult, when I can really appreciate it. Empire of Sin shows some of those dark corners that all cities have, but it also gives us the great things that comes out of those dark corners.

Oh, and if you pick this up, make sure you read past the bibliography and index in the back. Kirst has included both a pretty epic blues/jazz playlist with all the great albums and a New Orleans fiction list!

 

Blogging for Books provided this book for an unbiased review. Released on June 16th.

Taft

I’ve reviewed Ann Patchett here before, and I just love her writing style. It’s simple, but her voice always changes to fit the characters–and those characters are never the same from book to book.

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Taft is one of her lesser known books, but just as well written as Bel Canto and Run. It follows an ex-blues musician, a drummer, through his life behind a bar. He runs a Memphis club called Muddy’s, an honest living, since he’s trying to convince his ex-wife to bring his son back home from Florida. He hires a young girl as a waitress, and becomes close with her and her brother…and that situation brings trouble to his bar and his life.

Ann Patchett does a great job of capturing a Memphis old school bluesy club voice for the narration. You feel like you’re sitting on a stool listening to some bartender telling a story as he polishes glasses with an old white cloth. The characters are diverse, but linear. Patchett gives you only the people you need to know about and no more.

I did have some trouble determining the time period for this book, and I wish she would have given a better sense of setting at the beginning. At first, because of the voice, I was thinking 60s/70s, but the longer the book went on, the later the period seemed. Then, towards the end, the boy mentions Michael Jordan, so it must be at least the early 90s. Parts of the book could span that long, but it’s really hard to figure out exactly what space of time you’re in.

Taft is a simple, linear read about simple folks. There’s nothing terribly complicated about this. Some questionable morals at parts, but for the most part, it’s about good people just trying to get through life. As always with Ann Patchett’s writing, the prose is beautiful, and so I’d recommend it if you want a break from more twisted plots.

Stormy Weather

Today is our first big thunderstorm of spring. Most people hate the rain, but for me, there’s nothing better than curling up with a cup of tea and a book. Of course…right now I’m stuck with my back to the window in my gray cubicle. But I can see the flashes of lightening reflecting off my glasses.

Wow…that was a nerdy paragraph.

Anyway, I had a different poem planned for today, but instead I’m going to share one of my favorite songs with you guys. This has been in my head all morning. I love the Billie Holiday version, but many great singers have done their own renditions.

 

Stormy Weather

Don’t know why there’s no sun up in the sky

Stormy weather

Since my man and I ain’t together,

Keeps rainin’ all the time

 

Life is bare, gloom and mis’ry everywhere

Stormy weather

Just can’t get my poorself together,

I’m weary all the time

So weary all the time

When he went away, the blues walked in and met me.

If he stays away, old rockin’ chair will get me.

 

All I do is pray the Lord above will let me walk in the sun once more.

Can’t go on, ev’ry thing I had is gone

Stormy weather

Since my man and I ain’t together,

Keeps rainin’ all the time

 

–Harold Arlen & Ted Koehler